I visited the Peninsula Gallery this week to view the work on show there. As I walked in there were three printed screens placed on the left of me showing a Corporate Management Team predictably dressed in their black suits. No doublt they were meant to be depicted in a meeting discussing the Brand that is Vidal Sasson. Ahead of you as you walk in is a tall, very relaxed and soft portrait of Vidal Sasson dressed casually. Other portraits sit either side of him that are painted by Michael Fullerton in the style of Joshua Reynolds. I liked the subdued and calming colours of these portraits.
The different styles of the photographs and the paintings relate to the conceptual subject, the lives of Vidal Sassoon. They make comparisons between the creative hairdresser that is Vidal Sassoon, and the commercialism of the Brand Vidal Sassoon we all know.
I found this work interesting as Michael Fullerton explores the political nuances of art and the aesthetics of persuasion (quote from the notes on the artists work). The artist is highlighting the different aspects of Vidal Sassoons life and work .. that of hairdresser and businessman.
Another work at the Peninsula is a collage by David Noonan. I particularly liked this as I enjoy making collages myself. The artist takes images from different origins and time periods and brings them together to create new narratives. (quote by the artist taken from notes on the artist work). I like this idea as the figures in the collage sway between reality and illusion. The peacocks in the picture stare defiantly from the picture challenging the viewer's gaze. I am going to explore more of his work as I think it may give me some inspiration for my own work at the college this year.
Image Courtesy of British Art Show 7
My reasons for visiting the Peninsula Gallery first, was that I wanted to see Wolfgang Tillmans work. I had done a little research on this artist for one of our projects at college last year which looked at how artists depict our environment and how the earth's resources are depleting.
This work explores the way photography is made and presented. There is a huge print called Freischwimmer 155 (2010) which has been created without the use of a camera. Tillmans has exposed a piece of paper to points of light creating textures and colour directly on to the surface. The longer you look at it, the more detail and texture can be seen. It is full of interesting shapes, and ghostly figures. It left a lasting impression on me. I found it quite hypnotic.
I am hoping to visit the works at the Royal William Yard at the weekend. I've heard a lot about the "Clock" film, which I have also seen being reviewed on the Culture Show.